我能看见整个房间，那里没有人
I Can See The Whole Room, And There Is Nobody in It
2012
「我能看见整个房间，那里没有人」的视觉叙事流淌过我的童年时代的五个客厅。 从2011年起，我开始收集这些在90年代由于搬家和分家而被遗弃、散落的旧物家具，并根据记忆将它们重建为五个房间的场景设置。
摄影和蚀刻版画自然成为这个“重建”过程中的主要媒介。书中每个房间是一个章节，随之展开的是一幅蚀刻版画，一段对话和一个发生在房间里的小故事。目光穿梭于这些不完整的室内风景和与其交织的半坐半倚的人，仿佛正从门缝中窥视那个遥远的家。
作品包括手工书、蚀刻铜版画、丝网版画、摄影等。
The visual narrative of I Can See The Whole Room, And There Is Nobody in It flows through five living rooms in my childhood. From 2011 I started collecting these old objects, furniture, and leftovers which were abandoned during the moving and my family separations during the 1990's. According to my memory, I reconstructed them into five room settings.
Photography and etching naturally became the primary mediums in this “rebuilding” process. In the book, each room is a chapter which followed by an etching, a dialogue, and a short story. Observing the incomplete images of the domestic scenery interwoven with the half sitting figures on oil paper as if gazing into the door crack of my faraway home.
The work includes the handmade book(4 editions), etching on the copper plate, litho printing, screen printing, photography, etc.
